15.12.2024

KLANG & REALITÄT #2 CONCERT

Nathalie Brum, kitno., grapefruits Fanzine

The series "Sound & Reality" presents a multifaceted selection of sound and music productions by participants in the eponymous program at the Institute for Music and Media at the Robert Schumann University of Music. Phillip Schulze curates acoustic works, music groups, and sound installations navigating the spectrum between experiment and pop, structure and freedom, fiction and reality.

This time featuring: Nathalie Brum, kitno, grapefruits fanzine

Nathalie Brum is a sound and media artist as well as an architect. She has lived and worked in Cologne since 2014. In her work, sound and space form a unified whole. She loves fluid transitions: from everyday life to art, from the concrete to the enigmatic, from technology to poetry. Brum’s site-specific installations serve as instruments for reimagining and reclaiming space. She transforms the noises of hidden infrastructures into electroacoustic compositions. Her venues are diverse: swimming pools, highway chapels, city squares, and opera houses. Brum completed her architecture studies at RWTH Aachen University in 2014 and her transmedia studies at the Institute for Music and Media at RSH Düsseldorf in 2021. In 2022, she was awarded the NRW State Prize for Emerging Artists in the category of Visual Arts.

kitno is a trio of voices in dialogue—sometimes lovingly whispering, sometimes menacingly roaring, at times shrieking and arguing, only to reconcile and tell a story. With guitar, drums, and no-input mixing, the trio navigates between electronic ambient, algorithmic krautrock, and polyrhythmic noise pop.

As part of a listening session, the grapefruits fanzine celebrates the release of its eighth issue on this evening. The magazine has been around for five years. The current issue focuses on the theme of Voice and includes contributions on Anjeline, Arca, Lucrecia Dalt, Sanni Est, Holly Herndon, Sofia Jernberg, Minwhi Lee, Poly Styrene, Verity Susman, and Tenesha The Wordsmith. At this event, the authors will present the eighth issue through a listening session, introducing the texts about the featured artists and listening to their music together with the audience.

6 PM
€7 admission

FFT Düsseldorf
Konrad-Adenauer-Platz 1
40210 Düsseldorf


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01.10.2024 - 01.10.2025

FELLOWSHIP: WORKSHOP FOR THE FUTURE OF ARTS AND SCIENCES: TIPPING POINTS

Promoting dialogue between the arts and sciences in North Rhine-Westphalia is the goal of the new fellowship program by the Kunststiftung NRW in collaboration with the Center for Life Ethics (University of Bonn) and the Insel Hombroich Foundation.

The fellowship program "Workshop for the Future of Arts and Sciences" is an initiative of the Kunststiftung NRW in collaboration with the Center for Life Ethics at the University of Bonn and the Insel Hombroich Foundation. The venue is the Hombroich Missile Base. Thematically focused, the fellowship program fosters transdisciplinary dialogue between the arts and sciences. The one-year pilot phase on the working theme "Tipping Points" will start in October 2024. Curator Anselm Franke has been entrusted with the artistic direction.

A total of ten selected artists and scientists from North Rhine-Westphalia will engage in a moderated working process over a period of twelve months. The fellowship year will begin with a multi-day retreat at the Hombroich Missile Base, where a public presentation will also take place at the end.

With Peter Bröckerhoff, Esra Canpalat, George Demir, Tugba Durukan, Enis Maci, Jan Mehlich, Sebastian Müller, Phillip Schulze, Noemi Weber

Curator: Anselm Franke


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29.10.2024

KLANG & REALITÄT #1 CONCERT

Xayíde / Dennis Scheiba / EZB

The new series "Sound & Reality" presents a multifaceted selection of sound and music realisations by participants of the eponymous study program at the Institute for Music and Media at the Robert Schumann University of Music.
Phillip Schulze curates acoustic works, music groups, and sound installations that lie between experiment and pop, structure and freedom, fiction and reality.

Xayíde, the alter ego of musician Aura Danielle Muñoz Barragán, creates a fascinating electroacoustic sound world through improvised pieces using modular synthesizers. Her music artfully blends warm, dark, and sweaty sounds, moving skillfully between noise and dance.

Dennis Scheiba focuses on spatial audiovisual formats to reflect on the conflicts in digitalization and consumption and has presented his works in Düsseldorf, Berlin, Cologne, Graz, and Karlsruhe, among other places. For this evening, the theme of polarization will be explored: between positive and negative, beginning and end, silence and noise—with acceleration into our own collective abyss.

EZB is a music project by Thomas Meckel and Josephine Stamer. EZB interprets music history classics such as Hero by Mariah Carey—but their repertoire also includes vibrating aluminum composite panels, children’s musical frogs, as well as the Art of Fugue. In 2024, EZB appeared with their track "racing car" on the compilation CD "Noise of Cologne 3."

7 PM
€7 admission

FFT Düsseldorf
Konrad-Adenauer-Platz 1
40210 Düsseldorf


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10-12.05.2024

NuMusWes24: A COMPOSERS CONVENTION

NuMusWes24 evolved out of a desire to celebrate the fiftieth anniversary of Wesleyan University’s Center for the Arts and to bring together different generations of Wesleyan composers. So the event has elements of reunion and retrospection, but also of convection where old friends meet and new friends are made, where old pieces are played and new music is discovered.

This celebration will serve to reflect on what Experimental Music at Wesleyan has been and what it might become. In this way, its goals are the same as the “oral examinations” composers endure when they complete their study and, indeed, gives those composers a chance to return the favor by giving the overall program an oral exam of its own.

The reunion will extend from Friday, May 10, 2024 at 4pm to Sunday, May 12, 2024 at 4pm. Installations and exhibitions will be presented in Olin Memorial Library throughout the weekend. Friday late afternoon and evening will feature performances of works by returning alumni. On Saturday, three sound installations will be presented from 8am to midnight. A series of talks and discussions will be given throughout the day together with a midday tele-performance by alumni gathering at the University of the Arts in Berlin, Germany. Saturday evening will feature an elaborated reconstruction of “An Evening with John Cage,” a concert presented in 1974 as part of the opening year of the Center for the Arts. Sunday will feature a panel on how these compositional ideas reach into public education, work with the disabled, and the practical teaching found in help lines. The last event in the symposium will be an open discussion of the event. A concluding performance will feature projects developed in the Student Forum on Disengineering.

John Cage had a significant impact on the figures who played central roles in the development of Experimental Music at Wesleyan: Richard K. Winslow, Jon K. Barlow, Neely Bruce, and Alvin Lucier. Later, Anthony Braxton joined the faculty in 1990 with written support from both John Cage and Chick Corea. The Wesleyan World Music program was founded on the belief that all of the world’s musics warrant close study. Professor Braxton’s example extended this credo to the recognition that composed and improvised musical forms are deeply entangled and not fully distinguishable. To celebrate these connections and their impact, the concert will feature the original program from 1974 intertwined with pieces by and for those figures.

NuMusWes24: Day I

Friday, May 10, 2024 at 4:00pm
Various locations on the Wesleyan campus


The first day of NuMusWes24 will feature opening remarks and two concerts including performances by Wesleyan’s Collegium Musicum, Javanese Gamelan Ensemble, and Experi-Pop Guitar Ensemble.

Concert I: A Wesleyan Renaissance in Choral Music by Richard K. Winslow
Friday, May 10, 2024 at 4pm
Entrance of Olin Memorial Library, 252 Church Street

Wesleyan’s Collegium Musicum performs works by the late John Spencer Camp Professor of Music Emeritus Richard K. Winslow ’40, Hon ’10, P ’71, GP ’23 (1918–2017) under the direction of Jane Alden, Professor of Music, and Chair and Professor of Medieval Studies. The concert will include Three Haiku by Matsuo Basho (1971) with Ralph Samuelson MA ’71 on shakuhachi (bamboo, end-blown flute), No Man is an Island (1961), Let’s touch the sky (e.e. cummings) (1966), This is Just to Say (William Carlos Williams) (1985/9), The Red Wheelbarrow (William Carlos Williams) (1983), Prelude to Psalm Set (1992), and Amen (1970).

Opening Remarks
Friday, May 10, 2024 at 4:30pm
Frank Center for Public Affairs, Room 100, 238 Church Street

Environmental Performance
Friday, May 10, 2024 at 5:45pm
Andrus Field and Daniel Family Commons Balcony, Usdan University Center, Third Floor, 45 Wyllys Avenue

Featuring a performance of Traversing Mad-hatten by Matt Welch MA ’01.

Concert II: Solos, Duos, and Ensembles
Friday, May 10, 2024 at 8pm
World Music Hall, 40 Wyllys Avenue

Featuring Wesleyan’s Javanese Gamelan Ensemble performing Sekat by University Professor of Music Harjito with Matt Welch MA ’01 on bagpipes, Enchente by Heather Dea Jennings MA ’97, Sine of Merit II by James Fei MA ’99, Free improvisation for Amplified Balloon and Cello by Judy Dunaway MA ’00 and Marie Carroll, SuperCollider and Serpent by Charles Hutchins MA ’05, Transcriptions: “Blue / I'm Good” and “Atlas Eclipticalis” by Guitar Instructor Tom Crean MA ’04 performed by Wesleyan's Experi-Pop Guitar Ensemble, The Royal Touch by Nic Collins ’76, MA ’79, Improvisation by Matt Rogalsky MA ’95, Omar Fraire MA ’17 and Matt Wellins MA ’18 performing Star Networks by Ralph Jones, For Alvin Lucier: Music for Sauce Pot and Triangle Beater by Robert Nasta MA ’98, P ’07, and Images, Reflections by Andre Marquetti MA ’09 performed by Guitar Instructor Tom Crean MA ’04, Elsa Eastwood ’27, David Scanlon MA ’18, and Drew Weddig ’24.

NuMusWes24: Day II

Saturday, May 11, 2024 at 8:00am
Various locations on the Wesleyan campus

FREE!

The second day of NuMusWes24 will feature an elaborated reconstruction of the February 1974 concert “An Evening with John Cage” in celebration of the fiftieth anniversary of Wesleyan’s Center for the Arts including members of the Wesleyan University Orchestra, a simultaneous teleconcert with audience participation between Middletown and Germany, three installations, and four symposium panels.

Installations
Saturday, May 11, 2024 from 8am to midnight
Various locations around the Wesleyan campus

Three installations will include the radio play Saturn and Jupiter (2003) by Brent Wetters MA ’03 in Ring Family Performing Arts Hall located at 287 Washington Terrace, For Alvin Lucier (for automated pipe organ) by Brian Parks MA ’09, MA ’13 in Memorial Chapel located at 221 High Street, and Deer Tick: Solar Sounders on the Lawn (2017) by Daniel Fishkin MA ’15 in the Digital Design Commons gardens located at 301 High Street, which features synthesizers played by sunlight (until sunset).

Symposium: Panel I
Saturday, May 11, 2024 at 10am
Frank Center for Public Affairs, Room 100, 238 Church Street

Featuring presentations by Dan Wolf MA ’90, PhD ’90 “This Talk Might Be Called The Structural Dynamics of Flow,” and Aaron Siegel MA ’05 “What is a Community of Ideas?”

Symposium: Panel II
Saturday, May 11, 2024 at 11:15am
Frank Center for Public Affairs, Room 100, 238 Church Street

Featuring presentations by Phillip Schulze MA ’08 “Not Tommy's playground,” and Brian Parks MA ’09, MA ’13 “Humor as Experimental Fuel and Exhaust.”

Concert III: Teleconcert from the University of the Arts, Berlin, Germany
Saturday, May 11, 2024 at 1pm
Frank Center for Public Affairs, Room 100, 238 Church Street

Performed simulaneously by audience members posessing smartphones at Wesleyan University in Middletown, Connecticut and at the University of the Arts in Berlin, Germany featuring the works Signals by Mladen Milicevic MA ’88, Neural Labyrinths by Alberto DeCampo, Duo Performance by Liz Albee and Anne Wellmer MA ’03, Solo Performance by Rees Archibald MA ’02, and the video documentary “Maryanne Amacher at Wesleyan 2003” by Anne Wellmer MA ’03.

Symposium: Panel III
Saturday, May 11, 2024 at 2:15pm
Frank Center for Public Affairs, Room 100, 238 Church Street

Featuring presentations by Ann Warde MA ’85 “Anne Modugno, George Cacioppo, Alvin Lucier, and John Cage Instructors,” and Nic Collins ’76, MA ’79 “I was right for all the wrong reasons.”

Symposium: Panel IV
Saturday, May 11, 2024 at 3:30pm
Frank Center for Public Affairs, Room 100, 238 Church Street

Featuring presentations by Judy Dunaway MA ’00 “Mother** of Balloon Music,” and Cristohper Ramos Flores MA ’14 “An empirical approach to estimate an optimal mounting location of transducers on active string instruments.”

Environmental Performance
Saturday, May 11, 2024 at 5pm
Andrus Field and Daniel Family Commons Balcony, Usdan University Center, Third Floor, 45 Wyllys Avenue

Featuring the work Music for electronics and 15 slapsticks by Ben Manley ’83, performed with Cleek Schrey.

Concert IV: February 1974
Saturday, May 11, 2024 at 7pm
Crowell Concert Hall, 50 Wyllys Avenue

An elaborated reconstruction of “An Evening with John Cage,” a concert celebrating the opening of the Center for the Arts, featuring Cage’s Etcetera (for orchestra) performed by members of the Wesleyan University Orchestra, together with Matt Bauder MA ’03, Tom Crean MA ’04, Daniel Fishkin MA ’15, Omar Fraire MA ’17, Heather Dea Jennings MA ’97, Chia-Yu Joy Lu PhD ’21, Andre Marquetti MA ’09, Alec McLane, Matt Rogalsky MA ’95, David Scanlon MA ’18, Anne Warde MA ’85, and graduate music student Eva Yang.

Cage’s Empty Words will be spoken/sung by Stuart Wheeler MA ’21 starting at 8:02pm in World Music Hall, located at 40 Wyllys Avenue. Empty Words will run until Sunday, May 12, 2024 at 7:32am.

The reading of “Lecture I” from Cage's Empty Words in World Music Hall will be accompanied by transformations of the time brackets of Cage’s Four(6) prepared by Professor and Chair of the Music Department Ron Kuivila ’77 and realized by Visiting Scholar in Music Arshia Rahmati, Shawn O’Sullivan, and graduate music students Nat Baldwin, Lea Bertucci, Emma Mistele, and Negar Soleymanifar from 8:02pm to 10:32pm.

Syntactical Ghost Trance Music No. 254 by John Spencer Camp Professor of Music Emeritus Anthony Braxton will be perfomed in Crowell Concert Hall starting at 10:40pm. The work will be conducted by Nick Hallett, and performed by graduate music students Nat Baldwin and Hansini Bhasker, Matt Bauder MA ’03, Tom Crean MA ’04, Omar Fraire MA ’17, Heather Dea Jennings MA ’97, and David Scanlon MA ’18.

The reading of “Lecture II” from Cage's Empty Words in World Music Hall will be accompanired by realizations of the work Chambers by the late John Spencer Camp Professor of Music Emeritus Alvin Lucier (1931–2021) from 11:02pm to 1:32am.

The concert will continue in World Music Hall and adjoining grounds on Sunday, May 12, 2024 starting at 1:35am with the work Vespers by Lucier.


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TALK AT WESLEYAN UNIVERSITY

Work in progress presentation at Prof. Ron Kuivilas graduate seminar for the talk I will give at 50 years center for the arts / composer program / reunion at Weselyan University in May 2024. Together wirh Brian Parks.

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28.01.2024

THE PLURAL OF VOICES W/ AKUSTISCHE KUNST

Building on a traditional relationship of radio and experimental sonic art, the class Akustische Kunst, conducted by Phillip Schulze @ Klang und Realität produced a show that reflects their connection to the human voice within the intersections of art and science.
All pieces by the artists involved:

David Hanraths
Fjodor Gladilin
Hendrik Klatte
Ioannis Theocharis
EZB (Thomas Meckel, Josephine Stamer)
Leila Zaman Ahmadi
Phillip Schulze
Shuoxin Tan

With text by:

Clarence Barlow
Roland Barthes
John Cage
Adriana Cavarero
Gilles Deleuze und Felix Guattari
Descript
Mladen Dolar
Felix Ensslin
Brigitte Felderer
Bijan Jalali
Friedrich Kittler
Brandon LaBelle
Mara Mills
Norie Neumark
Wikipedia

LINK

Dramaturgy and Production: Fjodor Gladilin, David Hanraths, Hendrik Klatte, Josephine Stamer

In cooperation with the Robert Schumann Hochschule Düsseldorf.
Akustische Kunst. A seminar conducted by Phillip Schulze in the master's program Klang & Realität at the Institut für Musik und Medien.

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08.07-01.10.2023

THE NEW MAN, THE ANNOUNCER, THE CONSTRUCTOR. EL LISSITZKY: THE SELF-PORTRAIT AS THE KESTNER GESELLSCHAFT

With BEASTER Akt III

With the exhibition The New Man, The Announcer, The Constructor , the Kestner Gesellschaft traces the founding moments of its history and the avant-garde mission. Presented only seven years after the Kestner Gesellschaft’s establishment in 1916, the exhibition El Lissitzky was the very first institutional solo show of the Russian artist, marking his groundbreaking position as the announcer of the new vocabulary which revolutionised the formal language of art and well as his role as a constructor of an institutional thinking, based upon the scientific and experiential perception and innovative approach to exhibition’s architecture, strategies of display and a total understanding of artistic creation.

The New Man, The Announcer, The Constructor celebrates the centenary of this exhibition by paying a tribute to this significant fact in the Kestner Gesellschaft’s institutional history, a fact which planted a seed for a vast variety of experimental and progressive ideas, reflected in the future program and the institutional identity of the Kestner Gesellschaft. The exhibition emphasizes the pioneering and visionary aspects, developed around this time by then director and curator Alexander Dorner and other representatives of the avant-garde, active in Hannover at the beginning of the 1920s. Moreover, it investigates the long-lasting legacy of that period, and its impact on the museum’s discourse, especially in regards to Dorner’s term of the “living museum” and El Lissitzky’s “imaginary spaces” where the art experience was meant to become more personal, intense, and multidimensional, fitting the life of a new, modern man, inhabiting a constantly changing world, full of contrasts.

Conceived as an institutional self-portrait of a prophetic artist, The New Man, The Announcer, The Constructor consist of the archival materials and historical positions, set up in a confrontation with the deconstructive and revisionist reading of the modernist paradigm by the contemporary artists.

With: Michelangelo Antonioni, Willi Baumeister, BEASTER, Johanna Billing, Martin Boyce, Max Burchartz, Heinrich Dunst, The Next Enterprise Architects, Fernanda Fragateiro, Assaf Gruber, John Wood and Paul Harrison, Lajos Kassák, Marlena Kudlicka, Marysia Lewandowska, El Lissitzky, Felipe Mujica, László Moholy-Nagy, Paulina Ołowska, László Peri, Prince Gholam, Florian Pumhösl, Susanne Sachsse, Wieland Schönfelder, Kurt Schwitters, Katja Strunz and Nikolai Mikhailovich Suetin.

The exhibition architecture is being developed by the Vienna-based architecture office the next ENTERprise (Marie-Therese Harnoncourt-Fuchs and Ernst J. Fuchs).

Kestner Gesellschaft
Goseriede 11
30159 Hannover
Telefon: 0511 70120 0
E-Mail: kestner@kestnergesellschaft.de
www.kestnergesellschaft.de


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03.05.2023

STUDIES FOR CARILLON

The Acoustic Art seminar of the Master program Sound and Reality, headed by Phillip Schulze, was invited to take part in this year's Monheim Triennial. The focus of the seminar is the theoretical and practical exploration of sound in interaction with movement, time, space and form - the concrete development of pieces of music, sound installations, performances and mixed forms of these for specific locations and their acoustic, social and historical conditions.

During the development phase and field research, the students decided to compose pieces for the glockenspiel/carillon, which is located on a house wall at An der Doll Eck in Monheim:

Nine individual compositions organize themselves algorithmically into a larger one. Beginning with one bell and ending with fourteen, the compositionally available material expands by one pitch with each one-minute piece. The individual compositions are developed independently of each other, free in their rhythm and finally put together to form a series. This moves through the glockenspiel and unfolds more than the sum of its individual parts.

Studies For Carillon
for (int i = 0; i < 14; i++) { if (i <= 9) { count << i << endl; } else { …} }
Glocke um Glocke mehr, Tonhöhe um Tonhöhe reicher, bewegt sich eine Serie von Kompositionen durch das Carillon. Rhythmisch frei, das vorherige nicht wissend, das folgende nicht kennend, entsteht jedes Stück für sich, und alle anderen.

Artist:
Joseph Baader, Sebastian Fecke Diaz, Franz Fuhrmann, David Hanraths, Hendrik Klatte, Mark Matthes, Josephine Stamer, Paulo Simon Garcia Valderrama, Raphael Zoschinger

Site:
An der Doll Eck, 40789 Monheim am Rhein


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21.02.2023

NEW WEBSEITE LAUNCH

Welcome, not 100% done, but close enough to upload into the web.
Day by day more information will be added.

Cheers


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04.02.2023

CONCERT BETRIEBSAUSFLUG

Nathalia Molina Bohorquez
Jinkyoung Choi
Sebastian Fecke Diaz
Mark Matthes
Dennis Scheiba
Lisa Stiene
Shouxin Tan
Paulo Simon Garcia Valderrama
Sebastian Wulff

A musical evening of the Acoustic Art seminar led by Phillip Schulze, at the Institute for Music and Media of the Robert Schumann Hochschule Düsseldorf n the Master Sound & Reality With installations, live performances, electro-acoustic experiments and holiday mood. With the kind support of the RfK (Room for Art)

Saturday 6:00pm till 10:00pm
Including a "After-Work-Party"

Hansaalle 190
40547 Düsseldorf
Auf dem ehemaligen Industriegelände der
ZF Friedrichshafen AG

26.11.2021

20 Uhr

Im Rahmen der Ausstellung

Produktive Bildstörung. Sigmar Polke und aktuelle künstlerische Positionen

lege ich im Salon des Amateurs auf.

Salon des Amateurs
Grabbepl. 4
40213 Düsseldorf


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Do. 25.11.2021 20 Uhr

Im Rahmen von

ROBERT ASHLEY. PERFECT LIVES

Kyle Gann – Kompositionen für Disklavier
Kompositionen vom Zeitbasierte Medien Seminar

Kyle Gann schreibt über seine Musik: „Meine Stücke kultivieren
eine Erweiterung der Wahrnehmung durch eine stetige Zunahme an Komplexität in Tonhöhe und Rhythmik. Insbesondere bei den Kompositionen für das Disklavier laufen verschiedene Tempi parallel und fast die Hälfte meiner Musik verwendet mikrotonale Skalen.“ Die Stücke für Disklavier wurden teilweise im Hinblick auf ihre Verwandtschaft zu den Kompositionen „Blue“ Gene Tyrannys für Perfect Lives ausgewählt.

Im Anschluss an das Konzert präsentieren Studierende aus den Seminaren von Marcus Schmickler und Phillip Schulze des Masterstudiengangs Klang und Realität am Institut für Musik und Medien der Robert Schumann Hochschule Düsseldorf Ashley-inspirierte Kompositionen, die eigens für den Konzertabend entwickelt worden sind.

Mit: Josef Baader, Antonia Beeskow, Sebastian Fecke Diaz, Laura Greco, Mark Matthes, Natalia Molina Bohorquez, Josephine Stamer, Sebastian Wullf, Raphael Zöschinger.

Programm

Hochschule Düsseldorf
Tonstudio

Hochschule Düsseldorf
University of Applied Sciences
Münsterstraße 156 40476 Düsseldorf


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CANCELED
So. 7.11.2021 15:00 Uhr

DIE DIGITALE DÜSSELDORF

Was ist eigentlich Digitale Musik?

Vorträge über Digitale Musik von;
Axel Ganz und Phillip Schulze

Weltkunstzimmer
Ronsdorfer Str. 77a,
40233 Düsseldorf


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Sa. 23.10.2021 15.00–19.00 Uhr

Orgel³

Kompositionen von
Nathalie Brum, Phillip Schulze, Vincent Stange

Internationale Düsseldorfer Orgelfestival (IDO)

Kirchenorgeln werden in der Regel für den jeweiligen Kirchenraum konzipiert, konstruiert und im Hinblick auf Klang, Raumgeometrie, Historie und Ästhetik eingebaut. Die Komponist*innen Nathalie Brum, Vincent Stange und Phillip Schulze haben zusammen für das IDO Festival ein ortsübergreifendes Instrument entwickelt, mit dem sie versuchen herauszufinden, was passiert, wenn Orgelklänge der einen Kirche in den anderen mit-erklingen und umgekehrt: Die Orgeln der Kirchen St. Peter, St. Albertus Magnus und St. Antonius bilden unter Einsatz von multiplen akustischen Live-Übertragungen zusammen eine klangliche Apparatur, die Räume sind dessen Resonanzkörper, Reflektoren und Filter. Für dieses transarchitekturale Instrument wurden drei unabhängige Kompositionen von den Komponist*innen entwickelt, die in einem stündlichen Zyklus von 15-19 Uhr von den Organist*innen Daniel(le) Muñoz Barragán, Eugene Kang und Marcel Schwarz wiederholt realisiert werden. Die Besucher*innen können sich frei in den drei Kirchenräumen bewegen und die Musik wie auch die akustischen Gegebenheiten der Kirchen uneingeschränkt und autonom entdecken.


Premiere meiner neuen Komposition:
"Too Simple
for three Church Organs and three Audio Streams"


St. Antonius, Barbarossaplatz (Oberkassel)
St. Peter, St. Peter, Kirchplatz 2a (Unterbilk)
St. Albertus Magnus, Kaiserswerther Straße 211 (Golzheim)


Gefördert von:
Kunststiftung NRW


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Do. 09.09.2021, 22:20 Uhr durchgehend bis
Fr. 10.09.2021, 15.00 Uhr

Zum 1000 Jährigem Jubiläum der St. Aposteln Basilika Köln

EINE KONTEMPLATION RICHTUNG VIELZAHL / A CONTEMPLATION TOWARDS MULTITUDES

für Vokalensemble, Orgel & Elektronik

Phillip Schulze mit
Kammerchor Fiat Ars & Brian Parks (Orgel)

Ab 22:20 Uhr (16,66h bis Fr. 15.00 Uhr)

Das Auftragswerk A Contemplation Towards Multitudes von Phillip Schulze ist eine Symbiose aus Komposition, Klanginstallation und Performance, die über einen Zeitraum von 1000 Minuten (16 Std. und 40 min.) angelegt ist. Schulze schafft eine dynamische Klanglandschaft, die von Gästen jederzeit betreten, erkundet und verlassen werden kann. Als Ausgangspunkt nimmt er die Gründung der St. Aposteln Basilika, welche 1021 von Erzbischof Pilgrim „günstig neben dem Tor des Janus“ errichtet wurde, und inszeniert eine Langzeit-Meditation über parallele Realitäten, Zeitformen und Weltanschauungen.
Arrangiert ist die Komposition für Vokalensemble (Fiat Ars), Orgel (Brian Parks), Computer und Synthesizer (Phillip Schulze). Die Elektronik wird über 24 Lautsprecher ausgestrahlt, die als autonome „Akteure“ weit verteilt und in unterschiedlichen Höhen im Kirchenraum aufgestellt sind. Obwohl das Ausgangsmaterial sehr reduziert ist, ist die zeitliche Organisation so, dass die Klänge sich in ihrer Kombination nie genau wiederholen. Für die Aufführung werden kostenlose Zeitkarten im 2-Stunden-Rhythmus vergeben, das Mittelschiff der Basilika wird von Bänken befreit, mit Teppichen ausgestattet, und in der Aula steht ein kleiner gastronomischer Service bereit.

Die Performer*innen werden über die ganze Dauer der Komposition vor Ort sein und das Stück live realisieren.

Neben vielen anderen Konzerten, wird um 20:30 Uhr The Ever Present Orchestra Kompositionen von Alvin Lucier vor meinem Stück aufführen.
Brian Parks wird am Samstag Abend den 11.09 um 20:30 Uhr ein Solokonzert geben.


Vollständiges Programm
Programmheft
&
Tickets


AMBIENT FESTIVAL
St. Aposteln
Neumarkt 30
50677 Köln


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18. August 2021

Tributary Songs

by Various Artists


As torrential rains hit Belgium, Germany, The Netherlands and Luxembourg on July 14th, 2021, cities and communes in Eastern Belgium were confronted with incredible devastation because of extreme floods. Eupen has been the at the centre of most things Meakusma for years now and people in the Meakusma sphere live and work there, in Limbourg and in Verviers.

This charitable compilation aims to contribute to the relief efforts in place for these three communes. We are very happy to have been granted, by so many artists, the use of their music for this compilation. Many of the contributing artists have been friends and/or collaborators of Meakusma for a long time. Most tracks included have never been released before. As the floods and their impact also forced us to cancel the Meakusma Weekend 2021, we are happy to be able to present you with what is quite a big selection of tracks, sketches and outtakes that very much embodies Meakusma's musical take on things.

All profits from this compilation will be donated to official relief channels of the cities of Eupen, Limbourg and Verviers.
credits
released August 18, 2021

www.meakusma.org


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29. Juli 2021

Festival Theater Der Welt

SOFTWARE AND HARPSICHORD

Talk and Concert with Brian Parks (USA) & Phillip Schulze (D)

21 Uhr

Tickets 5€

Dreischeibenhaus, 1
40211
Düsseldorf


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26. Juni 2021

SimultanProjekte

26.06.2021, 15 Uhr
Kulinarische Intervention von Paula Erstmann

AKUSTISCHE KUNST

mit
Antonia Beeskow
Distel Kenye mit Denede Zazario, Daniel Muñoz Barragán
Mark Matthes
Dennis Scheiba
Shuoxin Tan
Maria Wildeis
Sebastian Wulff
Raphael Zöschinger

in Kooperation mit der Robert Schumann Hochschule Düsseldorf.
Ein Seminar unter der Leitung von Phillip Schulze im
Master Klang & Realität vom Institut für Musik und Medien.


Förderverein Simultanhalle Köln-Volkhoven e.V.
Volkhovener Weg 209-211
50765 Köln


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23. August - 5. September 2021

Residency @ EMS Stockholm

At the EMS I plan to write new multi channel compositions with my self developed digital instrument "Intermorphologies" in dialog with the Buchla synthesizers at the EMS.


Since 1964, EMS Elektronmusikstudion is the centre for Swedish electroacoustic music and sound-art.

Söder Mälarstrand 61
Stockholm
Sweden

11.09.2020

12. AMBIENTFESTIVAL - Day 2

with:
Phillip Schulze (algorithmic electro-acoustics)
Lubomyr Melnyk (continuous piano)
Klaus Fiehe (turntable)
Wolfgang Voigt präsentiert Rückverzauberung (electronic) + Tobias Thomas (dj-set)

8:30 PM – 4 AM

Tickets

Basilika St. Aposteln
Neumarkt 30
50667 Köln

Day 1 with:
Jessica Ekomane (psycho-acoustics)
John Kameel Farah (organ & synthesizer)
& Kai Schumacher (prepared piano)

Day 3 with:
Angelica Summer (singer/ songwriter performance)
Martin Kohlstedt (piano, synth, electronic)
Francesco Cavaliere (glass sounds)
Sven Helbig (electronic/mixing) & Kammerchor fiat ars (voice)


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Sonntag 26.7.2020

INTERMORPHOLOGIES

Konzert & Release auf der Dachterrasse

Einlass 19.00 Uhr
Beginn 19.30 Uhr

Sammlung Philara
Eintritt frei

Herzliche Einladung zum Konzert von Phillip Schulze und Release seines neuen elektroakustischen Soloalbums „Intermorphologies“ (2020).


FINISSAGE NORA TURATO
14 – 18 Uhr

Bitte beachten Sie, dass das Konzert auf 50 Personen begrenzt ist. First come, first served.

! WICHTIGE HINWEISE WÄHREND DER PANDEMIE !
Bitte tragen Sie bis zur Einnahme ihres Sitzplatzes eine Mund-Nasen-Bedeckung, halten Sie Abstand, desinfizieren Sie ihre Hände und erklären Sie sich bei Eintritt mit der temporären Speicherung Ihrer Kontaktdaten (Name, Adresse, Datum und Zeitpunkt des Besuchs) zum Zweck der Nachverfolgbarkeit der Infektionskette einverstanden.

Realisiert mit freundlicher Unterstützung der
Kunststiftung NRW.


Sammlung Philara
Birkenstraße 47
40233 Düsseldorf


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Sonntag 19.07

MONOTONIE IST SCHÖN

12-18 Uhr

K20


Am 19. Juli findet das Konzert Monotonie ist schön in der Ausstellung Charlotte Posenenske: Work in Progress im K20 statt. Inspiriert von Charlotte Posenenskes modularen Arbeiten präsentieren die Studierenden des Instituts für Musik und Medien über den ganzen Tag hinweg eine Konzertsituation für 10 Stimmen.

Komponiert und aufgeführt von Tim Abramczyk, Daniel Munoz Barragan, Juliane Blum, Nathalie Brum, Distel Kenye, Natascha-Irina Meißner, Dietmar Saxler, Dennis Scheiba, Anna Schütten und Leonie Patrizia Strecker.

Entstanden unter der Leitung von Phillip Schulze im Akustische Kunst-Seminar am Institut für Musik und Medien der Robert Schumann Musikhochschule.

Konzertbesuch mit Ausstellungsticket kostenfrei,
ohne Anmeldung,
begrenzte Teilnehmerzahl

Das Konzert wird live gestreamt über den Youtube-Kanal der Kunstsammlung.


K20
Kunstsammlung Nordrhein-Westfalen
Grabbeplatz 5
40213 Düsseldorf



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Friday 15.05

BRIAN PARKS · PHILLIP SCHULZE

Tastaturstuecke VOL 1

LP / CD / Digital

TAL19


TASTATURSTUECKE VOL 1 introduces 9 outstanding new compositions for church organ, harpsichord and self programmed software. The album comprises the first collaborational recordings of Brian Parks (Atlanta) and Phillip Schulze (Düsseldorf). The two musicians first met in the early 2000s at the famous Wesleyan University, Connecticut, where they regularly attended seminars of their teachers Alvin Lucier and Anthony Braxton.

Through extended preparations for a series of live performances in Europe in 2019 (e.g. at the APPROXIMATION Festival, Düsseldorf) Parks and Schulze developed and refined a unique approach towards composition, highlighting their interest in the correlation of the invariable flawlessness of a computer versus the human performer on church organ or harpsichord.

TAL Records

Ready for ordering:

BANDCAMP
HHV
Boomkat
Deejay
Beatport



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!!! CONCERT/SCREENING IS POSTPONED !!!


Saturday 21.03

INTERMORPHOLOGIES

&
KLANG NOVO Release

19 Uhr / 7 PM

Concert & Video Screening at
düsseldorf photo+ / Sammlung Philara


The occasion for the evening is the release of the following publications:
In a concert Phillip Schulze presents his new electroacoustic solo album Intermorphologies (2020), and the label
Klang novo, founded by photographer Axel Hütte, presents three 10-inch albums with the music of his video works:
Tidal Locking (2018), Detroit (2016) both with music by Detlef Weinrich and Attonitus (2014) with music by Phillip Schulze.

The evening ends in the Bulle Bistro located inside the
Philara Collection with DJ Tolouse Low Trax.


This event is a part of the
düsseldorf photo+ 2020 festival.


Sammlung Philara
Birkenstraße 47
40233 Düsseldorf


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Tuesday 18.02

VVAVE

Aquazoo Löbbecke Museum

19.00 Uhr / 7 PM


Ein Konzert mit Studierenden des Instituts für Musik und Medien der Robert Schumann Hochschule Düsseldorf. Konzipiert von Phillip Schulze (Künstler & Komponist) & Elmar Hermann (Bildender Künstler & Sprachwissenschaftler)

Die Aufführung findet im Vorfeld der Ausstellung Buchstäblich statt und ergänzt eine Reihe künstlerischer und theoretischer Beiträge. Das Phänomen Buchstäblichkeit wird in immer neue Zusammenhänge gebracht. Sprache, Bild und hier speziell Klang sind unterschiedliche Methode, die Realität zugleich einfach und komplex abzubilden.

Alle Stücke sind Premieren und speziell für das Konzert im Aquazoo komponiert worden. Die Stücke werden alternierend und in Kombination miteinander aufgeführt. Die BesucherInnen können sich in der Aufführungszeit im Museum frei bewegen.

Mit Beiträgen von:
Tim Abramczik, Nathalie Brum, Valentin Dudeck, Distel Kenye, Anna Schütten

Performer: Juliane Blum, Francesco Marzano und Dennis Scheiba

Eintritt ist frei

Aquazoo Löbbecke Museum
Kaiserswerther Str. 380
40474 Düsseldorf


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Sunday 19.01

HANNE DARBOVEN
Organ Concert

SONIFY CONCERT SERIES

18 Uhr / 6 PM

Opus 1-4 und 24 Gesänge, Opus 14a

Orgelkonzert von Alexander Moosbrugger zur Finissage der Ausstellung Carsten Nicolai. Parallax Symmetry und zum Beginn der Ausstellung I’M NOT A NICE GIRL im K21 der Kunstsammlung Nordrhein-Westfalen.

Hanne Darboven (1941–2009) entwickelte Ende der 1960er Jahre Methoden und Systeme zur Erfassung und grafischen Umsetzung von Zeit. Seit 1979 setzte sie ihre visuellen Zeitrechnungen nach Praktiken der seriellen Musik und minimal music auch in Musik um, indem sie Zahlen Tonhöhen und seriellen Patterns zuordnete.

Alexander Moosbrugger ist freier Komponist und Organist und lebt seit 2001 in Berlin. Er hat bereits in den USA konzertiert und u.a. 2014 Hanne Darboven „Opus 12“ in Berlin uraufgeführt. Seine Kompositionen – vorwiegend Kammermusik – sind von re-nommierten Festivals in Auftrag gegeben und werden weltweit gespielt.

Das Konzert wird ermöglicht durch die freundliche Unterstützung der Konrad Fischer Galerie. Es wird organisiert vom Düsseldorfer Künstler und Musiker Phillip Schulze.

Eintritt frei
Free Admission

Johanneskirche Stadtkirche Düsseldorf
Martin-Luther-Platz 39, 40212 Düsseldorf
Germany

26.10.2019

APPROXIMATION FESTIVAL

19 Uhr / 7 PM

Satellite Concert

PHILLIP SCHULZE & BRIAN PARKS

Program:

Greetings
Prof. Dr. Wolfgang Löwer
President of the Nordrhein-Westfälischen Akademie
der Wissenschaften und der Künste

Introduction
Volker Bertelmann (aka HAUSCHKA)
Member of the Class of the Arts

Approximation Festival Satellite Concert
Phillip Schulze (Live Electronics) & Brian Parks (Cembalo)


Please note, that the concert is free,
but you need to register in advance via this email contact:
awk@awk.nrw.de


PDF Link

Approximation-festival.de
Facebook


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Wednesday 09.10 & 16.10 & 23.10

SONIFY CONCERT SERIES

Museum K21


In context of the exhibition "Parallax Symmetry" by Carsten Nicolai at K21, the Düsseldorf based composer and artist Phillip Schulze is curating a three-part concert series in the Salon21 (9.10., 16.10., 23.10.2019). Dealing with sonification – the representation of data through music or sound – works by international artists as well as students of the Institute of Music and Media of the Robert Schumann Hochschule Düsseldorf will be shown. The works have been specifically composed for this concert series at K21.

Free Admission

Sonify )

09.10.2019
16.30, 17.30, 18.30 Uhr

Vincent Stange & KlangKönner
mit dem Ausbildungsmusikkorps
der Bundeswehr

19.00 – 21.00 Uhr
MK14/K21: Chris Dreier & Tim Löhde
Anna Schimkat & Michael Barthel
Anna Schütten
Elisa Metz


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Sonify ))

16.10.2019
19.00 – 21.00 Uhr

Marcus Schmickler
Damian T. Dziwis
Nathalie Brum
Christoph Collenberg & Chris Erkal
Distel Kenye


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Sonify )))

23.10.2019
19.00 – 21.00 Uhr

Hanne Darboven
Rees Archibald
Harkeerat Mangat
Juliane Blum
Tim Abramczik
Natascha-Irina Meißner

Eintritt frei, ohne Anmeldung,
begrenzte Teilnehmerzahl


Vor den jeweiligen Veranstaltungen findet
um 18.00 Uhr eine Führung durch die
Ausstellung „Carsten Nicolai. Parallax
Symmetry“ statt.

K21
Ständehausstraße 1
40217 Düsseldorf


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Saturday 28.09.2019

Parting With The External A Search For The Terrestrial

14 September – 27 October 2019

6pm–10pm Club Noosphäre

Xanadu Revisted – Magical Mystery Search for the Terrestrial guests:
Cie LaPerformance, Phillip Schulze, Frank Zamboni et al.


deglobalize.com
Download Projektzeitung (34 MB)


Kunstverein Freiburg
Dreisamstr. 21
79098 Freiburg


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Saturday 20. July 2019

19+1 :: rOundabOut :: 20-1

8PM - 10PM

Chreminist
Susu
Gain Defect
Lebensabschnitt Elfriede
Marc Bendt
Dohi Kim
Anina Rubin
Chemo Cœur
Phillip Schulze

ZKM Kubus

ZKM
Lorenzstraße 19
76135 Karlsruhe
Deutschland


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Saturday 20. July 2019

COLLECTIVE, COLLABORATIVE, COOPERATIVE

Talk at the HfG Karlsruhe with Paul Modler and Rees Archibald

2PM-3PM

Staatliche Hochschule für Gestaltung Karlsruhe
Lorenzstr. 15
76135 Karlsruhe


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Saturday 15. June 2019

PHILLIP SCHULZE: INTERMORPHOLOGIES

20:00 & 23:00 PM . LIVE CONCERT

Exhibition
ARTISTIC INTELLIGENCE
Nacht der Museen

Program

Kunstverein Hannover
Sophienstraße 2
D-30159 Hannover


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Wednesday 15. May 2019

PHILLIP SCHULZE: INTERMORPHOLOGIES

9:30 PM - LIVE CONCERT

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7:00 PM - LINK – Künstliche Intelligenz in Kultur und Kunst
Tagung der Stiftung Niedersachsen

7:00 PM - Curator´s Tour with Sergey Harutoonian (curator)

Program

Kunstverein Hannover
Sophienstraße 2
D-30159 Hannover


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20.3.–28.4.2019 Exhibition

BUCHSTÄBLICH

literal arts, literal meaning


20.3.2019 Symposium

Phillip Schulze
Literal Sound. Minimalism and Experiments in Music Composition.

11:45–12:30 PM

Bibliothek Albertina Universität
Beethovenstraße 6
04107 Leipzig


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Friday 08. March 2019

WW: ZEPPELIN MUSEUM

LIVE SHOW

Opening of the 34. Kunstfreitag

7:00 PM

Zeppelin Museum Friedrichshafen GmbH
Seestraße 22
D-88045 Friedrichshafen
Germany


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Friday 01. March 2019

C!ANG #31

Patrick Arnold, Elisa Kühnl, Daniel Langemann, Lennart Melzer, Elisa Metz, Philipp Reimann, Florian Zeeh


Studierende im Masterstudiengang “Klang und Realität” des Institut für Musik und Medien der Robert Schumann Hochschule Düsseldorf
(Seminar "Mediale Zeitformen”, Marcus Schmickler, Phillip Schulze)


20 Uhr, Start 21 Uhr
Free Admission


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16. & 17. February 2019

BLACK IS THE COLOR, NONE IS THE NUMBER

By CHIKAKO KAIDO, „Tansansui“,„炭酸水“

Dance: Taneli Törmä
Co-Creation: Jascha Viehstädt
Live-Music: Phillip Schulze
Stage Design: Ivan Geddert
Light & Design: Kanade Hamawaki
Concept Assistant: Antonio Stella
Concept, Choreographie: Chikako Kaido


Saturday 16.02. 8PM
Sunday 17.02. 4PM & 8PM

Unterstützt von Kulturamt Landeshauptstadt Düsseldorf, Kunststiftung NRW


Cubic Studios
Elisabethstraße 84
40217 Düsseldorf-Bilk


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07. January 2019

5pm CET

RADIO SET @ THE WORD RADIO.

AMER LAB with Phillip Schulze via THE WORD RADIO.



Now Online

Donnie & Joe Emerson - Overture
Joe McPhee - Cosmic Love
Lonnie Holley - Looking for All (All Rendered Truth)
Lewis Baloue - I Thought the World Of You
Daniel Schmidt - And the Darkest Hour Is Just Before Dawn
Alvin Lucier - The Duke of York
Jonel Cross - Catch Your Breath
K. Leimer - Porcelain
Kenkichi Kimura - Oyaji No Kokoro
Freddy Flint & Sashamane - Blue Mountain Interlude
Sun Ra - Where There Is No Sun
David Holland Quartet - Conference of The Birds
John Dowland - Lachrimae Or Seaven Teares
Hosono Haruomi - Birdoj
Mariah - Shinzo No Tobira
Yasuaki Shimizu - Tachikawa
Harry Case - Air Dancer
Alan Vega - Je T'Adore
Alejandro Vinao - Computer Modeling VII
Barney Wilen - Bumba Ciagalo
Daniel Johnston - Fly Eye
Pete Brandt's Method - What You Are
Edmony Krater Et Zepiss - Tijan
Comrade Chinx - Journey of Love
The Group NSI - Moin Epi Vou
Grupo Controle Digital - A Festa É Nossa
Jean-Pierre Boistel & Tony Kenneybrew - Remedios
Giuliano Sorgini - Amboselli
Denis Dufour - Bocalises
Nakara - Balimba
Pep Llopis - Jardins Aquatics
Teenage Lovers - Mmabatho (Part 1+2)

16.11.2018

SUPRISE CONCERT

I will perform two solo sets in alteration with Rees Archibald on Friday. There will be a third set as well.

Two concerts within the exhibition „mexhibition“.

Those two days are also the finissage, since all works remain at the Künstlerhaus Dortmund until November 18. Thus the perfect chance to see the wonderful works.

Both days the Künstlerhaus opens at 8pm, the concerts start slightly later. But who will perform? That will be a secret until the very moment and remains a lucky bag for girls and boys who love intermedial and experimental music as much as confetti.
Surprise Surprise

November 16, 2018
November 17, 2018

Friday & Saturday, 8pm – Begin 8:15

Entree 6 EUR

mex im Künstlerhaus
Sunderweg 1
Dortmund


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11. March – 10. June 2018

ATTONITUS (2014)

The video ATTONITUS will be screened at the exhibition:

IMPERIAL - MAJESTIC - MAGICAL

Video & camera by Axel Hütte, music by Phillip Schulze, editing by Phillip Schulze, Katlen Hewel & Axel Hütte.

Kunsthalle Krems
Franz­ Zeller­ Platz 3
3500 Krems


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06. & 07. January 2018

DIE LANDSCHAFT DAHINTER

KUNSTHALLE DÜSSELDORF - 50 Jahre Jubiläum
Im Rahmen der Projektreihe PERFORMING ARCHIVE.

DIE LANDSCHAFT DAHINTER ist eine Gegenüberstellung von Verbindungen zwischen bildender Kunst und elektronischer sowie experimenteller Musik, die sich wie ein roter Faden durch die Geschichte der Kunsthalle ziehen.

Seit seiner Installation im Herbst 1981, im Rahmen der Gruppenausstellung SCHWARZ, verbindet das LOCH von Joseph Beuys durch seine Öffnung in der Fassade, das Innere der Kunsthalle mit der hörbaren Welt da draussen.
Wie eine akustische Camera Obscura spiegelt es, jenseits seiner spezifischen Beschaffenheit, gegenwärtige Klänge an das Ohr des Betrachters, die das hemmungslos unaufhaltsame Leben unmittelbar bewusst machen.

Zwei Abende für Gegenwart, Musik, Nachhall und Schattenwürfe. Eingeladen von Stefan Schneider



DIENSTAG 6.2.2018. 19.00 - 23.00

Michaela Melián
Musikerin und Künstlerin aus München. Mitbegründerin der Band F.S.K. und seit 2010 Professorin an der HfbK Hamburg.
Bei ihrem Konzert in der Kunsthalle stellt sie ihr neues Soloalbum MONACO in einer Neubearbeitung für Streicher, Gesang und Laptop vor.

Phillip Schulze & Brian Parks
Der Düsseldorfer Komponist und Medienkünstler Phillip Schulze arbeitet seit seiner Studienzeit an der Wesleyan University in unterschiedlichen Zusammenhängen von Computer prozessierter Musik. Sein Album AMBASSADOR DUOS (2015) ist ein herausragendes Werk der improvisierten Elektronik. In Brian Parks (Cembalo) ein algorithmischer Komponist, Musiker und kompetitiver Golfer, trifft er auf einen vertrauten Partner aus den USA zur gemeinsamen Suche nach neuen Klangformern in Echtzeit.

Mo Loschelder
Angezogen durch eine Arbeit von Gerhard Richter in der Düsseldorfer Kunsthalle, entscheidet sich Mo Loschelder in den 80ern für ein Studium an der Kunstakademie. Anfang der 90er Jahre, als Meisterschülerin von Gerhard Richter, zieht sie der Musik wegen nach Berlin. In kollektiven Arbeitsweisen gestaltet sie dort einflussreiche Techno Clubs, wie das Panasonic, und ist Mitbegründerin des Autorenlabels Elektro Music Department - EMD.

Ronald Steckel
Der Berliner Autor, Regisseur und Musiker begleitet 1981 Hannah Weitemeier, als sie in Düsseldorf die Gruppenausstellung SCHWARZ in der Kunsthalle kuratiert. Ende der 60er Jahre ist Steckel in Berlin präsent und Teil der Szene um das ZODIAC, wo er auch Dieter Moebius kennenlernt.
Mitte der 80er Jahre arbeitet er im Staatlichen Institut für Musikforschung an der Berliner Philharmonie, an der Entwicklung von neuen Studiotechniken.



MITTWOCH 07.02.2018. 19.15-20 Uhr

Katharina Grosse & Stefan Schneider
GROSSER SOUND, KLEINER SOUND
Live Performance für zwei Räume, zwei Synthesizer und zwei Lautsprechersysteme.

Ausgehend von ihrem Elektronik Album TIERGARTEN (2017), entwerfen Grosse und Schneider mit GROSSER SOUND, KLEINER SOUND sich überlagernde, tonale Erzählstränge.
Wie bei einem geflochtenen Zopf gewinnt keine Ebene ein Übergewicht und es entsteht eine Verdichtung.


KUNSTHALLE DÜSSELDORF

Grabbeplatz 4
40213 Düsseldorf

14.12.2017

ABOUT ANGELS & SPECIES

6PM – 9PM

Phillip Schulze & Nathan Bontrager

Der Düsseldorfer Komponist und Medienkünstler Phillip Schulze entwirft in der Ausstellung Night and Day von Axel Hütte eine Klanglandschaft für Viola da gamba und Computer. Zusammen mit dem amerikanischen Cellisten Nathan Bontrager entfaltet sich in Echtzeit ein Erfahrungsraum, in dem Klang zwischen venezianischer polyphoner Tradition und abstrakter geometrischer Elektroakustik oszilliert. Die Besucher sind von 18 bis 21 Uhr dazu eingeladen, sich hierin selbstbestimmt zu bewegen.


KUNSTPALAST DÜSSELDORF

Ehrenhof 4-5
40479 Düsseldorf


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01. November 2017
SWR2

ARS ACUSTICA NIGHT

played a complete Apparent Extent set with Carl Holmqvist, Phillip Schulze Ambassador Duos with Christian Jendreiko,
Weisser Westen (Angela Fette & Phillip Schulze).


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23. September 2017 – 12. January 2018
The video

ATTONITUS (2014)

The video ATTONITUS will be screened at the exhibition:

AXEL HÜTTE: NIGHT AND DAY

Video & camera by Axel Hütte, music by Phillip Schulze, editing by Phillip Schulze, Katlen Hewel & Axel Hütte.
As well as the premier screening of the video DETROIT by Axel Hütte, with music by Detlef Weinrich.


Opening: 22. September 2017, 7PM


KUNSTPALAST DÜSSELDORF

Ehrenhof 4-5
40479 Düsseldorf


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THE LONG NOW

Fabian Reimann / Phillip Schulze

DOCUMENTATION VIDEO ONLINE NOW

LINK


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20. August 2017 – 03. September 2017

THE LONG NOW

Fabian Reimann / Phillip Schulze

2 PM – 6 PM
Opening 20. August 2017, 2 PM


The Long Now is a composition of sound, light, reverberations and projections. It deals with the space of the church in general and the perception of time, the "here and now" and eternity.

Traditionally, churches staged an experience of sound and light and a infrastructure for transcendency, that have been exceptionally for centuries. Churches were the place for great social events and rituals. In here, the limitations of ones own physical existence has been manifested, which is short compared to the ideas of eternity that the church tradition declares.

These considerations are the foundations of the multi-sensory and site-specific work by Fabian Reimann and Phillip Schulze, which will be presented in two phases. The first phase of The Long Now will take place in the summer of 2017 and serves as the foundation for the second phase, which will be on display for a period of one year. For the visitor it is impossible to remain at site the entire duration of the work. Therefore, the Installation reflects the impossibility of comprehending eternity in spite of all knowledge.

In the first phase of The Long Now, two medieval bells receive the greetings from humanity that have been travelling through space for the past 40 years on the Voyager-2 probe. Activated by human speech, the bells reverberate into the church and its surroundings, while simultaneously projections are displaying images of the smallest and largest perspectives of our worlds, of atoms and distant planets.


The Long Now is being developed within the framework of, STADTLAND: Kirche. (EKD) and the International Building Exhibition (IBA) in Thuringia, funded by the Federal Cultural Foundation and the EU program LEADER, and in close co-operation with the church community of Niedergrunstedt and the municipality of Obergrunstedt.

Kirche Obergrunstedt
Im Oberdorf
99428 Obergrunstedt / Gemeinde Nohra
Germany


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07. July 2017

SIN­GU­LAR / PLU­RAL KOL­LA­BO­RA­TIO­NEN IN DER POST-POP-PO­LIT-ARE­NA

7 PM at the exhibition opening:

Background Acoustics

TRANS HUMAN ART CRITICS
PPC Trio


Exhibition with Micha­el De­ist­ler, Bru­no De­mat­tio, Achim Duchow, As­trid Hei­bach, Can­di­da Hö­fer, Chris­tof Kohl­hö­fer,
In­g­rid Kohl­hö­fer, Klaus Met­tig, Lutz Mom­martz, Tony Mor­gan,
An­ge­li­ka Oehms, Sig­mar Pol­ke, Ul­ri­ke Ro­sen­bach, Ste­fan
Run­ge, Con­rad Schnitz­ler, Emil Schult, Mem­phis Schul­ze,
Ka­tha­ri­na Sie­ver­ding, Klaus vom Bruch, Ilo­na & Wolf­gang
We­ber.


KUNSTHALLE DÜSSELDORF

Grabbeplatz 4
40213 Düsseldorf


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24. June 2017

DJ Set at DIAPHANE MEDIALE

Filmwerkstatt Düsseldorf

Birkenstraße 47
40233 Düsseldorf.


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26. May 2017

RECONSTRUCTION SERIES

10 years ago I produced a small series of electronic pieces in which I reconstructed songs that had been deconstructed by various experimental composers before. After several attempts to upload these three pieces (the copyright-bots of various social platforms seem to work quite well), I decided to make them available on my homepage again:

Link


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20. April 2017

PHUONG-DAN 51 AND ONE THIRTY-FIVE

51 and One Thirty-Five is an auditive reflection on waiting. It was recorded in March 2017 with three record players and a Bastl Instruments Micro Granny using fieldrecordings, samples and works/music by

Nika Breithaupt, Moebius & Tietchens, C.W. Vrtacek, Karlheinz Stockhausen, Carla Dal Forno, Conrad Schnitzler, Scheich in China, Pump, Tuxedomoon & Cult With No Name, Phillip Schulze, Splitter Orchester, Don´t DJ, Pornosect, Richard von der Schulenburg, Richard Chartier, Jutta Koether, Martin Moritz, Moebius & Plank, Bruno Spoerri, Indiscreet, Roedelius Schneider, Benjamin Lew/ Steven Brown, Konrad Sprenger, Emily Wardill/ Marc Shearer, Aymeric de Tapol, Chris and Cosey, Steven Brown, Litüus,Thomas Baldischwyler and Henrik Plenge Jakobsen.

Soundcloud

Collage for the digital publication of the exhibition WAITING – Between Power and Possibility (curated by Dr. Brigitte Kölle) at Hamburger Kunsthalle – Gallery of Contemporary Art.


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Saturday 15. April 2017

WDR: "NEUE MUSIK NEUE KLÄNGE"

Open Sounds: Studio Elektronische Musik (116 Min.)

10.04 PM – 00.00 AM

KABLAM »Furiosa« (Janus)
BEKELÉ BERHANU »Untitled« (Janus)
MATT ROGERS »SK√­1« (Slip)
JESSE OSBORNE- LANTHIER »The Zika Slam« (raster­noton)
KYOKA »Shush« (raster­noton)
PHILLIP SCHULZE »Ambassador Duos« (Apparent Extent)
KONRAD KRAFT »Quadrat« (aufabwegen)

Autor: Friedemann Dupelius

Download full program as a PDF


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13. March 2017
New WW Video online:

KING GONG

WW LIve at the Kling Klang Studio Düsseldorf
& the Shakespeare Theater in Gdansk 2016.

Supported by the German Consulate General Gdansk
& the Artist in Residence Program of the
Open Source Festival Düsseldorf.


Camera: Czarek Adamowicz, Agnieszka Piasecka,
Ansgar Wacker


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10. February 2017

SOLO CONCERT AT THE SINGLE CLUB

Ackerstrasse, Düsseldorf

In the context of:

SINGLE
EIN FILM VON ALEX WISSEL & JAN BONNY. FILMSCREENING

JULIA STOSCHEK COLLECTION
Schanzenstrasse 54, 40549 Düsseldorf

15.12.2016

KRAFTWERK. DIE MYTHENMASCHINE

Book-Release & Concert


WEINRICH / SCHULZE

Detlef Weinrich (Kreidler) and Phillip Schulze (Weisser Westen) orchestrating the book release with a analog and digital Improvisation for Computer, Synthesizer and percussion.

7PM

K20 Grabbeplatz 5
Kunstsammlung Nordrhein-Westfalen
Studio 1
40213 Düsseldorf


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09. December 2016

SOUND & VISION

Soundworkshop in context of the WOLKE & KRISTALL exhibition

with THOMAS RIEGER (Konrad Fischer Galerie) and PHILLIP SCHULZE


K20 Grabbeplatz 5
Kunstsammlung Nordrhein-Westfalen
40213 Düsseldorf


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06. December 2016

Paul Sharits: Prescription & Collapsed Temporality by Tony Conrad

7 PM

In the context of the exhibition
IN ADVANCE OF A SHIPWRECK
I will activate TONY CONRAD'S piece:
PAUL SHARITS: PRESCRIPTION & COLLAPSED


Der Kunstverein für die Rheinlande und Westfalen
Grabbeplatz 4
40213 Düsseldorf


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Friday 04. & Saturday 05. November 2016

DIGITALE DÜSSELDORF FESTIVAL

08:00 PM

SALON BINAIRE I
04.11.2016

with

EVOL
GRAPH
MICHAEL WINTER
& DJ ACID MARIA
PHILLIP JONDO


SALON BINAIRE II
05.11.2016

with

MARCUS SCHMICKLER
WERNI, JENDREIKO & KALLABRIS
HANS W. KOCH
& DJ ELEPHANT POWER
TOLOUSE LOW TRACKS


The Salon Binaire is a part of the Festival Digitale Düsseldorf with the focus on digital music & composition curated by PHILLIP SCHULZE.
Next to these concerts, there will be performances, talks and a exhibition at the Weltkulturzimmer curated by PHILIPP FÜRNKÄS.


Salon des Amateurs
Grabbeplatz 4
Düsseldorf


THE FULL PROGRAM OF THE FESTIVAL

The festival initiators are WERNER PILLIG & PETER WITT.


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Tuesday 25. October 2016

WW : THE TEMPEST

08:00 PM

Gdański Teatr Szekspirowski
Shakespeare Theater

Tydzień Niemiecki
Founded by the Consulate General of the Federal Republic of Germany in Gdansk

ul. W. Bogusławskiego 1
80-818 Gdańsk
Poland


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Saturday 24. September 2016

Ambassador Duo Review @ Soundprojector

UK


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Sunday 11. September 2016

Phillip Schulze,

11AM–07PM : DYSTOTAL

(Sound Sculpture / 2014 / 08:00:28 h)

07PM–08PM : INTERMORPHOLOGIES

(Live Concert / 2016 / variable duration)


Kai10 | Athena Fondation

TAKE UP YOUR SPACE

Individual Dates: 1. till 18. September 2016

Artist: Elena Bajo, Feiko Beckers, BERGERNISSEN, Christian Falsnaes, Veza Fernández, Vlatka Horvat, William Hunt, Maren Maurer, Claudia Pagès, Phillip Schulze, Mårten Spångberg

Concept: Marion Eisele & Julia Schleis

PROGRAM

Our living environment is constantly changing to the beat of just a few mouse clicks. A fast-paced, simultaneous, and negotiating regiment runs the show. Within the context of current communication technologies, global connectivity, and an "anything goes" mentality, it is no simple task to find one´s own standpoint—even selective or temporary. This leads to insecurities, which can in part pave the way for extremely rigid dogmas.

TAKE UP YOUR SPACE is a program of eleven performances at KAI 10, that seek to envision the balancing act between daily decisions and fathom the limits of one's own and other's expectations. The works deconstruct predominant mechanisms, such as the (presumed) separation of high and pop culture or the impact of group dynamics. The performances—having installative, theatrical, musical and dancing character—enter the space of personal life stories. They seek for self-empowerment and ways of encountering the environment. Through the title the project encourages visitors to experience themselves as participants and actors in the different—real, social, or virtual—spaces.


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Tuesday 05. July 2016

GUEST LECTURE

TALKING 'BOUT MY GENERATION

BDA-Architekturpreis "max40 – Junge Architekten 2016"

Deutsches Architekturmuseum Frankfurt
Bund Deutscher Architekten BDA

Presenting Works & Concepts / Live Concert

7PM

Schaumainkai 43
60596 Frankfurt am Main


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Sunday 03. July 2016

NEUE MUSIK AM NACHMITTAG

Ein moderierter Nachmittag mit Musikbeispielen Neuer Musik seit 1956

mit Hans-Jürgen Hafner & Max Schulze

Im Rahmen der Ausstelung "Das Neue" Kunstverein Für Rheinlande & Westfalen

3PM

Salon des Amateurs
Grabbeplatz 4
Germany


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Internet

HEAVING BREAKFAST AND DINNER AT THE SAME TIME MIX

8# Mix for the C!ang Concert Series

Listen


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Tuesday 21. June 2016

GUEST LECTURE

Art Academy Münster, class Paul Schwer

Presenting Works & Concepts


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Thursday 31 May 2016

Book Presentation

DYSTOTAL

Documenting the exhibitions at Pori Art Museum in 2014 & at Ludwig Forum Aachen in 2016.

Curated by KONSORTIUM.

Nachfoyer

Tobias Abel, Justin Andrews, Linda Arts, Ford Beckman, Heiner Blum, Lars Breuer, Ralf Brög, Julia Bünnagel, Nicolas Chardon, Tim Cierpiszewski, Neil Clements, Frauke Dannert, Markus Ebner, Angela Fette, Sebastian Freytag, Terry Haggerty, Julio Herrera, Gabriel Kuri, Ukri Merikanto, Gerold Miller, Guido Münch, Renato Nicolodi, Jörg Nittenwilm, Jan van der Ploeg, Martin Pfei e, Sebastian Riemer, Didier Rittener, Christian Robert -Tissot, Pietro Sanguineti, Jan Scharrelmann, Phillip Schulze, Anja Schwörer, Michal Škoda, Esther Stocker, John Tremblay, Mirko Tschauner, Sebastian Wickeroth, Lars Wolter

Kunsthalle Düsseldorf
Grabbeplatz 4
Germany


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Friday 27. May 2016

c!ang #10

Four times 15 minutes Experimental Electronic Music with:

Claas Morgenroth
Frank Bauer
Phillip Schulze
Stefan Jürke

08:00 PM

Atelier Swen Buckner (Backyard)
Birkenstrasse 61
40233 Düsseldorf
Germany


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28.05.-17.06.2016

CABINET OF KAPUT

Kaput Magazine's new weekly art section

Opening: 27th May 2016

Feat. Die Bäume, Stefan Müller


Contributions by:

Peter Abs, Abel Auer, Kenneth Bergfeld, Alexandra Bircken, Kira Bunse, Marieta Chirulescu, Genre, Jessica Gispert, Lukas Goersmeyer, Alex Heilbron, Simon Hemmer, Tobias Hohn / Stanton Taylor, Oliver Husain, Tina Kohlmann, Florian Köhler,
Robert Kraiss, Anita Leib, Katrin Mayer, Jan Meier, Almut Middel, Bernadette Mittrup, Stefan Müller, Nie Pastille, Phantom Kino Ballett, Hedda Schatternick, Timo Seber, Gerda Scheepers, Paul Sochacki, Stephanie Stein, Cecilia Szalkowicz,
Roman Szczesny, Sarah Szczesny, Jelena Trivic, WW, Alex Wissel

Gold+Beton
Ebertplatzpassagen
Cologne


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19.05.2016

Guest Lecture: Graphic Notations

at the Institut Fuer Musik Und Medien of the Robert Schumann Hochschule at the seminar "Bildkomposition und -rhythmus / Visual Music by Christian Schäfer.


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Saturday 23. April 2016

EUROPEAN MEDIA ART FESTIVAL OSNABRÜCK

WW

EVIDENCE

10:45PM

"P26 The Music Parade"

Kino Hasstor
Hasestraße 7
49074 Osnabrück
Germany


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Thursday 14. April 2016

Phupng-Dan & Kunstverein Hamburger Bahnhof presents:

Music From Heigh Wires #3

WW

PERFORMANCE

8 PM


DJ: Alison Yip

Installation: Thomas Baldischwyler

KAMPNAGEL

Jarrestraße 20
22303 Hamburg
Germany

Nguyen Phuong-Dan, the cultural anthropologist with a strong interest in experimental and eclectic music, and DJ from the Golden Pudel scene, presents a new series at Kampnagel. He has developed this as part of the ‘One Hundred People Say Umbrella’ project in the Kunstverein Harburger Bahnhof (together with Anna Sabrina Schmid). Now at Kampnagel he presents the pioneering greats of art and music and enables them to meet the young generation of creative artists.

In the third part of the series we welcome two futuristic creatures, who step into the spotlight as WW. They come kitted out with Apollonian handicaps – masks and armour between constructivism and Dada. ‘The Earth is a disc,’ they declare, as they proclaim their theories on evolution, alternative genres and technologies, and on art as a real existing parallel universe. In a world in which we subjugate artistic expression of a relativistic, levelling, unified view, WW strikes a blow for artistic stubbornness and megalomaniacal inadequacy. You need to experience the results for yourself. They realise their all-encompassing work of art live with smoke and wind machines, mirrors and spotlights. The evening is framed by moments including a DJ set by visual artist Alison Yip. Moreover, Hamburg artist Thomas Baldischwyler will present his mobile audio installation, ‘Sustainable Skip Storage’.


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13 April / 9 PM
Catalog Release

DYSTOTAL

LUDWIG FORUM AACHEN / PORI ART MUSEUM

Published with Koenig Books, London

Hrsg. ed. von by Andreas Beitin, Esther Boehle & Esko Nummelin.
Kuratiert von curated by Konsortium (Lars Breuer, Sebastian Freytag, Guido Münch).

Artists:
Tobias Abel, Justin Andrews, Linda Arts, Ford Beckman, Heiner Blum, Lars Breuer, Ralf Brög, Julia Bünnagel, Nicolas Chardon, Tim Cierpiszewski, Neil Clements, Frauke Dannert, Markus Ebner, Angela Fette, Sebastian Freytag, Terry Haggerty, Julio Herrera, Gabriel Kuri, Ukri Merikanto, Gerold Miller, Guido Münch, Renato Nicolodi, Jörg Nittenwilm, Martin Pfeifle, Jan van der Ploeg, Sebastian Riemer, Didier Rittener, Christian Robert-Tissot, Pietro Sanguineti, Jan Scharrelmann, Phillip Schulze, Anja Schwörer, Michal Škoda, Esther Stocker, John Tremblay, Mirko Tschauner, Sebastian Wickeroth, Lars Wolter

Texts:
Daniel Cohnitz, Stephan Günzel, Pia Hovi-Assad, Tara MacDonald, Jari Ortwig & Ursula Ströbele

Bruch&Dallas
Ebertplatz
50668 Köln
www.bruchunddallas.de


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Friday 8. April 2016
WW

KING GONG

8PM

LIVE @ ELEKTRO MÜLLER


Registration via Email:
elektromueller@open-source-festival.de

Courtyard (former Kling Klang Studio)
Mintropstrasse 16
40215 Düsseldorf
Germany


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14.–17. April

FILM COLOGNE - ART COLOGNE 2016

RHINE SCOPE

WW

EINSTEIN

Curated by Philipp Fürnkäs

On the occasion of its 50th anniversary, ART COLOGNE presents an exhibition on the moving image in art curated by Philipp Fürnkäs as an official special event.

The result is a compact overview of artistic creation in this medium extending over 5 decades from the founding of the Kölner Kunstmarkt in 1967 to the present.

Hall 11.3

Art Cologne
Kölnmesse GmbH
Messeplatz 1
50679 Köln
Germany


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Thursday 7. April 2016

a-Musik Spätkauf mit Phillip Schulze

AMBASSADOR CACHE

7PM–10PM

a-Musik
Kleiner Griechenmarkt 28-30
50676 Cologne
Germany


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13.03.–05.06.2016

DYSTOTAL

Ludwig Forum Aachen

Opening 13.03.2016, 12 PM

& Catalog presentation from this exhibition,
as well as the first exhibition at Pori Art Museum Finland in 2014.

Curated from the Art Collective Konsortium
(Lars Breuer, Sebastian Freytag, Guido Münch)

Jülicher Str. 97-109
52070 Aachen
Germany


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11. March 2016

TOTALE 19

OUT OF SHAPE

6 – 10 PM

Christian Aberle / Peppi Bottrop / Julia Bünnagel / Lisa Busche / Enrico Cass / Ricardo de Castro / Angela Fette / Frauke Dannert / Yvonne Klasen / Patricia Koellges / Konsortium / Tamara Lorenz / Maciek Rajca / Linda Nadji / Bettina Nampé / Natalie Obert / Lorenzo Pompa / Luiz Roque / Brandon Schell / Sculptress of Sound / Lucas Simões / Sebastian Thewes / Jessica Twitchell / Nico Joana Weber / Ruth Weigand / WW / Sebastian Wickeroth

Kuratiert von Jari Ortwig, Köln
Co-Kurator: Renato Rezende, Rio de Janeiro


Maschinenhaus Essen
Gelände Zeche Carl
Wilhelm-Nieswandt-Allee 100
45326 Essen
Germany


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Sunday 6. March 2016
WW

PERFORMANCE

11:55AM

MATINEE

Museum Kunstpalast
Kulturzentrum Ehrenhof
Ehrenhof 4–5
40479 Düsseldorf
Germany


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Sunday 7. February 2016

WW

ECKIG

7PM

cOsmOsmOse

Vincent Barras
Julia Bünnagel
Heike Fiedler
Ian Hatcher
Felix Kubin
OEI
Jonathan Zorn


Curated by Swantje Lichtenstein & Marc Matter


FFT Kammerspiele
Jahnstraße 3
40215 Düsseldorf
Germany

14.11.2015

CONCERT NIGHT AT FOYER

Line Up:
Pierre Bastien
(Rephlex, Morphine - FR)

Phillip Schulze : Ambassador Duos
(Phillip Schulze - Electronics, Volker Zander - Violoncello)

Records: Volker Zander
(Apparent Extent - GER)

Where:

Juenglingshaus
Neustrasse 86
4700 Eupen

8pm - 1am

Entry: 10€

Partners:DG

Sponsors: Ofenfrisch
Province de Liège


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Wednesday 21. October 2015

AMBASSADOR DUOS

PRE-RELEASE & CONCERT with Schulze & Weinrich

9 PM
Salon des Amateurs


RELEASE & CONCERT with Schulze, Dewar & Jendreiko

TALK with Thomas Hag (Journalist)

NACHTFOYER
Tuesday, 10. November 2015
7 – 10 PM
KUNSTHALLE Düsseldorf

Grabbeplatz 4
Düsseldorf
Germany


›Ambassador Duos‹ (2015) collects a selection of four duo
improvisations, that the artist and composer Phillip
Schulze recorded over ten years with multi-instrumentalist
and composer Anthony Braxton, the sound- and action-artist
Christian Jendreiko, the composer and ethnomusicologist
Andrew Raffo Dewar, and DJ and producer Detlef Weinrich
aka Toulouse Low Trax.
The album documents encounters between these musicians
and Phillip Schulzes electro-acoustic, responsive instrument,
which algorithms he develops since 2001. With this instrument,
he opens "a dialogue with external (analog) and internal (digital)
realities". Here in ›Ambassador Duos‹ the center of Schulzes
attention is a "transidiomatic, interpersonal communication,
augmented with instruments“.


Order & Shipping is available now!


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Thu. 5. – Fri. 20. November 2015
WW

THE EVOLUTION HEWS HER CHILDREN

OPENING & PERFORMANCE
Thu. 5. November 2015
7PM

EXHIBITION
Fr. 6. – Fri. 20. November 2015
Mo. 6 – 7PM, Fr. & Sat. 11AM – 2PM


The Bat Yam Art Institute
by appointment
+972 54 6484344 Shai Pardo
+972 54 7679512

Simha Holtsberg Street 18
59305 Bat Yam
Israel


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31. October 2015

WW

Sputnik

Sputnik
122 Allenby
6581803
Tel Aviv
Israel


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17:09.2015 & 18.09. – 04.10.2015

Beaster Act Two: Banquette

The artist performer ensemble BEASTER was founded by Angela Fette (Düsseldorf), Christian Jendreiko (Düsseldorf), Sascha Hahn (Hannover), and Phillip Schulze (Düsseldorf). The quartet will meet in Antwerp to write and premier act two of an ongoing opera started in 2013.

Lodgers #3 Apparent Extent
The LODGERS programme invites some of the most imaginative artistic initiatives to come and occupy the 6th floor exhibition spaces at M HKA. It offers a unique opportunity for public interface, to organisations and initiatives who focus specifically on producing and commissioning, and who do not have their own display space.

Opera
17.09.2015
7:30PM
6th floor

Installation
18.09. – 04.10.2015
6th floor

MUHKA
Museum van Hedendaagse Kunst Antwerpen
Leuvenstraat 32
2000 Antwerpen
België


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17.07.2015
New WW Video online

No Risk. No Fun. No Shape. No Evidence.

No Risk. No Fun. No Limit. Experience.

"Evidence" from the WW EP "E" (2015).

Video Recordings from 2011 by Johannes Hahn in an Environment by Jan Kämmerling, Karsten Weber & Hannes Norberg at Single Club Düsseldorf.


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09.07.2015 – 12.07.2015

Back From Vilnius

Exhibition

Phillip Schulze & Adomas Danusevicius

Atelier am Eck
Himmelgeister Straße 107 e
Düsseldorf


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06.05.2015

− · − FÖN

Video Documentation Online


Max & Phillip Schulze

TOTALE 17

Maschinenhaus Essen


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30.05.2015
WW Videos

›Artist in Residence‹

Leviathan (2012)

Tausendfüßler (2013)

Einstein (2014)

Herzliya Museum

Herzliya Museum for contemporary art
4 Ha'banim St., Herzliya 4637904

Israel


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21.05. – 30.06.2015

Video Work Attonitus

at the

Axel Hütte exhibition Shadows of Lights

Galeria Helga de Alvear

Doctor Fourquet 12
ES–28012 Madrid
Spain


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Sound Seminar

Marie-Celine Schäfer & Phillip Schulze

Wie beeinflußt Klang Raum? Wie kann Klang Raum determinieren? Can space be constructed by ideas about sound?

Jeden Freitag 14 Uhr

Im Sparta
Kunstakademie Düsseldorf
Eiskellerstrasse 1


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08. – 16.05.2015

Mykorrhiza: Ein Apparat

Stefanie Wenner mit Thorsten Eibeler,
cobratheater.cobra, Orthographe u.v.a.

Der Düsseldorfer Künstler und Komponist Phillip Schulze aktiviert für die Ausgabe im FFT ein Netzwerk regionaler
und internationaler Sound-Artisten. Sie zeigen, wie Maschine und Mensch eine Symbiose eingehen und mit Strom als Nährboden Musik erzeugen: elektrisch, elektroakustisch, digital und vegetarisch.


Peter Thoma & Julian Prießen: Magic Mushrooms
9.5. / 21.30 Uhr

Translokales Rundfunkorchester
13.5. / 21.30 Uhr

Aram Shelton: Tonal Masher
15.5. / 22 Uhr

Werni & Jendreiko: 30 Jahre Spekulative Elektronik
16.5. / 21.30 Uhr


FFT Kammerspiele
Jahnstraße 3
Düsseldorf


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01.03. – 03.05.2015
WW videos at

Joint Venture Gallery Berlin

#2
Angela Fette / Kirsty Kross / Camilla Wills

Leviathan (2012)

Einstein (2014)

Kitsch (2015)

Eisenacher Straße 56
10823 Berlin


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24.04. – 03.05.2015
TOTALE 17

− · − FÖN

Max Schulze und Phillip Schulze
kuratiert von Arne Reimann

Vom 24. April bis zum 3. Mai werden Max und Phillip Schulze erstmals eine gemeinsame, spezifisch für das Maschinenhaus Essen entwickelte Arbeit präsentieren.

Max Schulze geht grundlegenden Fragen zur Bildfindung und Wahrnehmung nach: Wie verhalten sich Abstraktion und Figuration zueinander und welchen Einfluss haben Inszenierung und die Veränderung von Räumlichen Attributen auf die Lesbarkeit von Malerei. Er setzt sich mit der Frage auseinander, wie Farbe zur Regulierung der Außenwelt genutzt werden kann. Dabei untersucht er in seinen Bildern wie eben diese in der Gesellschaft als Zeichen genutzt werden und stellt dabei den Abstraktionsgehalt in der Realität in den Mittelpunkt seiner Untersuchung.

Phillip Schulze realisiert temporäre, physikalisch einnehmende, multi-sensorische und dreidimensionale Ereignisse, die neue Möglichkeitshorizonte und sinnliche Erfahrungsräume eröffnen: Intensivierungen, Verstärkungen und Neu-Definitionen von Momenten und Zuständen, die gleichgerichtet, intern oder extern beeinflussbar sind. Ein Entwerfen und Verschieben von synergetischen und parallel stattfindenden Realitäten, graduelle, evolutionäre und prozesshafte Klang- und Bilderwelten, die assoziative Kettenreaktionen in Gang setzen und aktive Stellungnahme der Teilhaber herausfordern.

Speziell für das Maschinenhaus entwickeln die Geschwister erstmals gemeinsam ein intermediales und raumübergreifendes Werk.


Gefördert durch:

Kunststiftung NRW

G.D. Baedeker Stiftung

A. Sutter Fair Business GmbH


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26.02.2015

WELCOME to my new Homepage.

After two weeks of work I am happy to release this page into the world wide web.


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25.01.2015 – 25.02.2015
WW
EP E

EINSTEIN • KITSCH • RHYTHM • EVIDENCE

VERSION ENGLISH



KITSCH [Video]

2015


Video & Music

WW


Lyrics

GUIDO MÜNCH


Camera

RALPH GOERTZ


Support

JULIA SCHLEIS / ARNE REIMANN /
KATHARINA MONKA / ANTON THE HORSE