2019 – Present
REALTIME COMPUTER PERFORMANCES & COMPOSITIONS
Electroacoustic Solo Works
ELECTROACOUSTIC SOLO WORKS
With the composition series ›Intermorphologies‹, I explore multi-dimensional sound mutations and musical causalities generated digital/electronically in realtime.
Everything you hear – every aspect that constitutes each sound, how those sounds resonate both individually and in combination, how they react and change with each other, how they are rhythmically / temporally organized, and how these sounds move through acoustic space – have been subjected to gradual change operations.
All sounds synthesize themselves and each other into existence, evolving sometimes into a new, unknown formation and sometimes into a predicted identity.
With each installment of a piece in the series, I examine different possibilities of these artificial relationships, mutations, and causalities. I regard these realizations not only as systematic investigations into possibilities the instrument may bear, but more so as multiple ways to explore what shapes music can have. How do different sonic renderings and organizations differ in terms of neurological, emotional and physical response?
Next to the relationships between sounds, I also investigate the relations between the machine and myself. Besides preforming with the computer, I also listen and react to whatever the machine proposes.
In this instances, my software is not solely an object but is becoming a subject.
Instead of solely being a music which furnishes listeners an object to perceive, I am interested much more in music that is as much reliant upon the process of perceiving, intensifying the perceiver’s and my personal awareness of our own role in the genesis of an aesthetic experience in the here and now.
The publication ›Intermorphologies‹ was grant-aided by the Kunststiftung NRW and is published on the Selbstverlag P.S.
The album comes as a beautiful glossy gate-folded double LP & CD, in addition to comprehensive writings in German & English printed on a large folded inlay.
Total Edition of 300
200 with two BLACK Vinyl LPs
100 in PINK and CYAN Vinyl LPs
The album is not available as MP3.
A1 HYDROGEN & HELIUM [+]
A2 STATES OF ZENITH & DECAY
B1 AS LATE AS AN AFAR SHIMMER
B2 ALL DISEMBODIED
B3 WARMTH EMANATED
C1 SILHOUETTES IRIDESCENT
C2 BUT IN THINGS THROUGH BODIES
C3 PERSISTENT ADJUSTMENT
C4 [+] HELIUM & HYDROGEN
RELEASE & CONCERT
Saturday, 26. July 2020
Approximation Festival ›Phillip Schulze & Brian Parks‹ Düsseldorf, October 2019
Kunstverein Hannover ›Artistic Intelligence‹ Hanover, June 2019
ZKM Kubus ›Roundabout‹ Karlsruhe, July 2019
FOR QUESTIONS & CONCERNS
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Rees Archibald, Kingsley Ash, Marcus Ambach, Matt Bauder, Anthony Braxton, Jonathan Chen, Lotte Effinger, Flux Quartet, Louis-Philippe Demers, Angela Fette, Andrew Raffo Dewar, Christophe Giffard, Thomas Hatcher, Axel Hütte, Christian Jendreiko, Anna Jermolaewa, Ron Kuivila, Matthias Lahme, Annbel Lange, Lena Willikens, Alvin Lucier, Hiram Navarrete, Jan Sieber, Aaron Siegel, Sascha Hahn, Ulf Neumann, Florian Meyer, Brian Parks, Armin Purkrabek, Max Schulze, Memphis Schulze, Ida Büngener, Werni & Jendreiko, Edi Winarni & Laura Catania, Banz & Bowinkel, Alex Wissel
Apparent Extent Label, Diapason Gallery, Dotolim, ZKM - Center For Art And Media Karlsruhe, SingleClub, HobbypopMUSEUM, Oktoberbar, Ubu Web, Media Art Net, Schwarz-Weiss Magazin, Cycling 74, Institut Fuer Musik Und Medien, Leonardo Music Journal, Salon des Amateurs, Striking Mechanism, Wesleyan University, Konsortium
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Schwarzes oder Farbiges Vinyl (Germany)
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The album comes as a beautiful gate-folded Double LP & CD, in addition to comprehensive writings in German & English printed on a large folded inlay.
Edition of 300 copies. 200 black, 100 colored Vinyl.
All records come in Mind condition from private stock.
Combined shipping is possible, please get in contact with me.
HOMEPAGE PHILLIP SCHULZE